An intimate songwriter-in-the-round session at Nashville’s most hallowed listening room — four chairs, four voices, and a set of unreleased songs that have never been heard outside the writing room until tonight.
The Round
Cody Revell and Hank Dawson will sit in the round alongside songwriter Jolene Mercer and Nashville session man Dusty Keller. Each writer takes turns — one song apiece, rotating around the circle — with the story behind each song told before a single note is played. That’s the Bluebird way: the words matter as much as the melody.
Expect to hear three or four brand-new compositions that haven’t been recorded yet, plus stripped-down acoustic versions of Outhouse Poets album tracks you’ve never heard without the full band behind them. A song sounds different when it’s just a voice, a guitar, and ninety people holding their breath.
The Bluebird seats about ninety. Reservations go fast and the room enforces a strict listening policy — no talking during performances, phones silenced, the bartender pours quiet. It’s a room built for paying attention.
This is where you find out if a song is real or if it’s just dressed up nice.
Cody Revell
This show is sold out. A limited standby line forms at the door starting at six-thirty — if reserved guests don’t claim their seats by showtime, standby tickets are released first-come, first-served. Cash only for standby.