AI_IMAGE: A neon beer sign glowing hot pink and electric blue reflected on a sawdust-covered wooden dance floor inside a small-town honky-tonk bar, cowboy boots mid-step visible at the edge of the frame, jukebox lights blurred in the background, shallow depth of field, warm amber and cool neon contrast, Saturday-night energy, cinematic grain | photorealistic | square

Single


2025-04-04

Neon & Sawdust


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The latest single from the Outhouse Poets is a two-and-a-half-minute shot of Saturday-night adrenaline — a honky-tonk anthem built on a chicken-pickin’ Telecaster riff, a shuffle beat you can’t sit still through, and a chorus that writes itself into your head on the first listen.

“Neon & Sawdust” dropped on the first Friday of April and hit Spotify’s New Boots playlist within forty-eight hours. The song captures a specific kind of small-town magic — the hour when the dance floor fills up, the band locks in, and nobody’s thinking about Monday morning.


Behind the Song

Jake wrote the first verse on a napkin at the Broken Spoke in Austin after a gig — scribbled it between sets while the house DJ played Merle Haggard over the PA. The line that stuck was the opening: “Sawdust on my boots and neon in my eyes / this floor’s the only church I recognize.” By the next morning, the band had a demo on a phone voice memo.

Every town has a place like this — Christmas lights year-round, a pool table with a lean, and a bartender who knows your drink before you sit down. That’s the song.

Jake Holden, lead vocals

The studio version was tracked in a single afternoon at Sound Stage Nashville with producer Lena Calloway, who pushed the band to keep the energy of a live take. The Telecaster tone came from a borrowed 1968 Fender run through a tweed Deluxe — no pedals, no tricks. The shuffle rhythm leans on Hank’s upright bass and Cody’s brushwork on a snare with the wires off, giving the whole track a loose, danceable swing.

AI_IMAGE: A country band performing on a small honky-tonk stage shot from the dance floor, lead singer leaning into a vintage microphone with cowboy hat tilted back, electric guitarist mid-solo in dramatic warm spotlight, crowd silhouettes with raised beer bottles in the foreground, neon signs glowing on the back wall, sawdust visible on the floor, energetic and intimate atmosphere, warm amber stage lighting | photorealistic | square
Debuting “Neon & Sawdust” live at the Broken Spoke, Austin

The single is the first taste of what’s coming next — the band has confirmed a second full-length album is in the works, with sessions scheduled for late summer. Until then, “Neon & Sawdust” is holding down the setlist closer spot at every show on the spring tour.

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